11/8 Ashley Gearing ”What Do You Think About Us” When you and Brenda Lee can be mentioned positively in the same sentence, then there is something to you. What is the connection? In 2003 Ashley Gearing took over Brenda Lee’s spot as the youngest artist ever to chart on Billboard’s Hot Country Singles Chart – she was 11 or 12 at the time – with her rendition of “Can You Hear Me When I Talk to You.” Fast forward 7 years, through the Grand Ole Opry shows, performances with the Boston Pops and Red Sox, and studio recordings for the Disney CD series “DISNEYMAINA,” “What Do You Think About Us” is her debut single as a newly signed artist with Curb Records. It’s an uptempo song written with Ben Glover and Brian Davis, with crossover potential. “What You Think About Us” is a song that finds Ashley singing about the boy in her life and as she listens to him list off the things he loves and wants to do, Ashley simply asks him “what he thinks about us?” While some could consider the question something that would only be asked by an insecure girl, in reality this is a question that all people – particularly young women – think about all the time, particularly when the relationship is in its early stages. Well with a record under her belt, and experience like mentioned above in her back pocket, Ashley Gearing is beyond the beginning stages musically. Read more about the story of Ashley Gearing Here.
11/9 Darius Rucker “This” What Darius Rucker mostly feels these days is grateful . . . Grateful that the millions of fans that knew Rucker as the voice of Hootie & The Blowfish, the Grammy-winning group whose album Cracked Rear View sold more than 16 million copies, happily followed the singer/songwriter in his natural evolution to country music. Grateful that hundreds of country radio programmers embraced him as a welcome addition to the genre – as did the nation’s countless country music fans. . . And finally, grateful that, as a seasoned performer who has already experienced the fickle highs and lows of fame, he’s grounded and secure enough these days to truly appreciate this new phase in his music career. And what better way to sum all this feeling up than in the opening song to his new album Charleston, SC 1966. He’s a family man now, and country singer, but you can hear the past influence in the sound of this song. But when you stop and think about it, that country sound was always in Hootie and the Blowfish, right? Now that Rucker is the first Black aritst since Charley Pride in the 1970s to win a CMA, you can hear it was there all along, since the days in Charleston, when a “Bar Band… Got Lucky” as He puts it. Read more about Darius Rucker being back for the first time Here.
11/10 Sugarland ”Little Miss” At first glance, The Clash and Johnny Cash seem to be on opposite ends of the spectrum. However, according to Jennifer Nettles “If you dig far enough you’re going to see that The Clash and Johnny Cash had a lot in common. I (we, Sugarland) like to live right where those guys meet.” This is the basis of their 4th album, The Incredible Machine. A profile of a woman who tries to handle everything, all by herself, “Little Miss” is an inspiring “keep your head up” type of song with interesting harmonies and a dominant, yet not overwhelming, acoustic guitar lead. It was also one of the first songs written for the new album, Kristian Bush described it as being “…discovered (was) fun and really beautiful.” both Jennifer and Kristian see their mothers, daughters, and in Jennifer’s case, herself as the character in this song, which really bonds well with the overall theme of the album. “It’s just the two of us,” says Kristian. “In the story of who we are, this album is more us than we’ve ever been.” Read more about the development of this Incredible Machine Here.
11/11 Jason Aldean with Kelly Clarkson ”Don’t You Wanna Stay” There has been much talk / hype around this song coming out, the latest single on Aldean’s new album My Kinda Party. Their performance at the Country Music Awards lived up to the expectations musically. While the subject matter could be seemed as typical – wanting a relationship between 2 people to go beyond just making love one night – the musical and vocal presentation of the subject can really set itself apart from other songs that may want to compare itself. There’s no cockiness and no forcefulness in Aldean’s stance. The name of the game is individuality, and Aldean is protecting it. Which is why even after 10 years of working at it, selling 3.5 million records in the first phase of his career, and having the pick of the litter of songwriters, musicians, etc to work with, this Macon, Georga native is still using the same band of musicians and engineer to continue the success that started with the 2005 single Hicktown. Read more about how and why Jason Aldean just doesn’t sound like anyone else in Country Music Here.
11/12 LeAnn Rimes ”Crazy Women” Sometimes it takes something to laugh at and be fun in order to get a message across. How else can the message “Crazy Women are made by Crazy Men” not be interpreted as something potentially scandalous AND be on an album where a woman is reinterpreting classic country songs that were all originally sung by men? The uptempo and honest storyline and musical vibe of this song is a great addition and special bonus track to LeAnn’s upcoming new album Lady and Gentleman, due out early next year on Curb Records. Singing them from a woman’s perspective, each song on the album has been rearranged and reinterpreted by LeAnn, with the album Executive Produced by 20-time GRAMMY Award-winner Vince Gill, Darrell Brown (Keith Urban, Rascall Flatts) and LeAnn Rimes. After 37 million albums, 17 awards, and 42 hit singles in 15 years, it’s good to know that there are artists still reaching forward, while not forgetting their past. Read more about LeAnn Rimes “sing(ing) these songs from a woman’s perspective to hopefully help reintroduce them to a new audience,” Here.